I’m finishing an art project and getting my ebook ready for release on Saturday. Regular updates will resume ASAP. <3
My theatre group * Morrigan Mystery Evenings * specializes in mystery games.
We do them 6-8 times a year and we always have a grand time – first when making up the ridiculous stories and then performing them.
It works like this:
We get a bunch of our actors together and decide some characters we would like to play and then we figure out where those characters might get together.* Then we sort out what has been stolen or who has been done away with, and we figure out each character’s motive and alibi.
After that, we just start adding in foolishness to make things more fun.
We don’t develop a script or dialogue, we just work to inhabit our characters and invest ourselves in their motives and alibis.
Then, on the night of the game, our audience either sits at tables and we circulate and chat while they ask questions, or, we sit in various locations and they move to us and ask questions. It makes for a really interesting and challenging evening because you never know where people’s questions are going to lead and you have to be quick on your feet. Well, metaphorically, at least.
It’s a bit alarming how adept my actor friends are at lying in character, how easily we can spin a story out of nothing, but it’s also part of what makes it interesting.
Our next event is called ‘A Date with Death’ and it’s coming up on Sunday, October 29.
Get the details here.
*Sometimes we start with the location and do characters second, but not very often.
My friends Sarah and Deanna at Admiralty House Communications Museum have all kinds of fun stuff cooked up for this fall.
On the weekend before Halloween, they have a Ghostly Tour of the Museum, a kids Ghost Hunt, and a Halloween Trivia Night plus, my theatre company, Morrigan Mystery Evenings, will be doing a mystery game (details to follow).
Hope to see you at all of these cool things!
I’m not finished reading ‘Brainstorm’ but I don’t generally read non-fiction without also having some fiction on hand to relax with. I have read T Kingfisher’s book of short stories Toad Words before but I needed to refresh myself on the details when I hosted the Storytelling Circle during the St. John’s Storytelling Festival last week.
I have been trying for years to find the right angle to tell the title story from. Even though it is in first person, and very well-written, it wasn’t quite in the right language for *me* to tell it aloud. Meanwhile, Kingfisher’s language is delightful and playful, and it feels like she is telling you the story personally, like her phrasing is an in-joke for the two of you. It’s really fun.
I like how she takes well known tales and spins them a little to get a new perspective and I often find myself saying, ‘Huh, never thought of it that way.’ when I read her work.
I’ll be telling other stories of hers once I have her permission and once I find the right angle again.(Yes, I had her permission to tell Toad Words.)
She has a variety of short story collections and books available and if you like quirky stories based on traditional tales, you should check them out.
I can remember watching ‘What Not To Wear’ back in the day and being annoyed, not only by the fact that they tended to dress everyone so much alike, but that they had no consideration for what people wanted to wear/felt comfortable in. There is more than one way to look good and they never seemed to get that at the time. (I think Stacey London gets it now, though.)
I mean, I get that our choice of clothing can be a message to the world. It’s a good thing, in general, to understand that and then to be able to choose what message to send, to choose whether to meet the ‘standards’ set by the situation or not. I often make those choices when I pick a costume for characters I play in monologues or mystery games. It’s interesting to decide whether this particular character would dress ‘appropriately’ for a given situation or whether they would choose to subvert expectations.*
And all of that doesn’t even get into the messages that other people can read into our clothing. I flatly refuse to accept that we are responsible for those messages, but again, it’s a good idea to know what they might be so we can be prepared to deal with them. That’s not the same as accepting responsibility for their thoughts and actions, it’s just acknowledging that we might have to deal with them.
Anyway, this is all just sort of a long introduction to a question I feel that we don’t ask often enough…
How does your clothing make you feel?
What about if, instead of concentrating just on how clothing *looks* we, instead thought about how it makes us feel? What about if we took the emotional ramifications into consideration?
If your clothing makes you self-conscious, if it leaves you feeling too hot or too cold, if it keeps you tugging down a hemline or rolling up a waistband, then it doesn’t feel good. If you are going to spend your evening thinking about your clothes instead of doing whatever it is you had planned, then it isn’t a good choice of outfit. I get that sometimes an item can *seem* like a good idea until you get to the event and something is not as expected, but often we choose an item of clothing and immediately know that it isn’t going to work.
What I’d like is for everyone to be able to dress for their own comfort and enjoyment and not have to give a damn what anyone else thinks. I know that isn’t possible at this point in history, but I am hoping that is going to change. In the meantime, I hope that, the next time you are getting dressed, you think about how you will feel in your clothes. And, if you think that your clothes will take up too much mental space, if you think that it will distract you from having fun, then you choose something else to wear. I want you to make a choice that serves you well and keeps you happy.
Tune in next week for the third part in this series: Dress For Your Own Power.
*Of course, some of my characters would have no idea what the ‘appropriate’ thing is. That’s a whole other layer of characterization.