Artsy Fun

Decisions, decisions – a good problem to have ;)

This is the kind of evening I dream of when I feel tense or when it feels like the winter will never end.

I’m sitting on my patio on a warm summer night, deciding whether to draw or to read while I drink my (non-alcoholic!) beer.

A photo of a table with a bottle, an ereader and a sketchbook and markers on it.
Image description: a angled-down view of a small red patio table with a bottle of Corona Sunbrew non-alcoholic beer (which is covered in condensation), an e-reader in a blue and gold patterned case, and an open sketchbook with six markers on top of it. In the background there’s another patio chair, the bottom of the railing, and the end of a string of warm white lights.

Colouring sheet!

I created my first colouring sheet for grown-ups yesterday and I am thrilled with how it turned out.

I had been working on this in my head for days but, as usual, I didn’t solve it by thinking, I made it ‘work’ by starting to draw something and then course-correcting as I went.

Glerg, I hate when I learn the same lesson over and over again in the one week.

a photo of a colouring sheet for adults that has a large star in the centre the with layers of patterns within and surrounding the star are curved sections containing different patterns.?
Image description: a photo of a colouring sheet for adults that has a large star in the centre the with layers of patterns within and surrounding the star are curved sections contacting different patterns.

I’m not exactly afraid of the blank page…

I have heard a lot of writers and artists talk about the terror or intimidation they feel when facing the blank page.

I get what they mean but my challenges with getting started don’t really manifest that way.

A blank page is full of possibilities, I could put anything on there!

I get stuck in pre-draft mode though, imagining that I need to do a lot more thinking than I actually do before beginning a project.

I’ve learned that there is no point in my thinking process when I’ll say ‘Time to get this down on paper!’ Instead, I have to pick a time and get started, even if I fill my paper with doodles or my screen with rambly text.

Sooner or later (usually sooner) something will click and I’ll have a place to start.

Then I start (literally or metaphorically) moving that idea closer or further from the other ideas I have and the action of moving that idea around helps the others fall into place.

But getting myself to that point where I will commit something to paper or to screen can be a challenge so I have started ‘ruining’ my page* to help me get started.

On the screen, I’ll type (or dictate) the question I’m trying to address or I’ll copy a quote or I’ll type what I *don’t* want to say about this topic an why I don’t want to say it.

On the page, I’ll make some weird headings or if it is a drawing, I’ll add a line that has nothing to do with what I’m trying to create. (The line below is in ink because I am just playing, I might do it in pencil for a drawing for a public purpose.)

a top-down view of a notebook, a silver-coloured teapot, a cup of tea, and a spoon on a wooden table.?
Image description: a top-down photo of a notebook, a silver-coloured teapot, a cup of tea, and a spoon on a wooden table. The cup is decorated with tentacles on the outside, and small drawings of people clinging to the edge on the inside. The notebook has a thin, curvy black line drawn from side to side on the open page. The line looks like a very sloppy W.

Once I have ‘ruined’ my page, I find it a lot easier to break out of thinking mode and into doing mode.

And my friends and coaching clients who are intimidated by the blank page find the same thing.

Something about getting those first marks out of the way helps me (and them) get to the next steps.

I highly recommend ruining your work.

*I teach a workshop called ‘start by ruining it’ – it’s big fun!

Words and Pictures

Yesterday, while listening to the podcast ‘The Antique Shop,’ by Ghostly Thistle media, I had a great idea for a series of stories.

My plan is to draw a series of objects and then write a story about each one.

I started by practicing drawing bottles.

A photo of drawings and painting of a variety of bottles.
Image description: a photo of a coil-bound sketchbook with white paper featuring some rough pencil sketches of a variety of bottles on the right hand side and some drawings of bottles painted with watercolours on the left.

Drawing and Listening

I spend a lovely part of Sunday afternoon drawing while I was listening to the audiobook Tuesday Mooney Talks to Ghosts by Kate Racculia.

I highly recommend both.

Two drawings in a sketchbook, one of overlapping geometric shapes one of three mushrooms on a hill.
Image description: two drawings on a sketchbook page. The top one is a bunch of overlapping, patterned geometric shapes in a variety of colours against a green background. The bottom is three toadstools/mushrooms, one gold with a pink stem, one silver with a black stem and one black with a gold stem, all with circular or semi-circular patterns on their caps and stems. They are growing from a patterned green hill with blue sky in the background.